The largely present elements, production and structure of their tracks really pulled me into this one. So how would ‘Curse Of Autumn’ fare, and how would it sound with another two years and more under their belts?The answer is simply: very well indeed. Cool choruses, nice guitar harmonies, and a part in the middle where it just gets heavy as all hell. Let the River Run has an impeccable acappella vocal harmony section that begins this mid tempo metal gem. Well, for one, the "who" is not a male voice, but rather vocalist Anette Olzon, late of Nightwish, and currently with The Dark Element. This goes to show that like a fine wine, Vanishing Point only improves with age!" It is a curious choice to end the album, but well done nonetheless.After a seven-year absence, the world of melodic prog welcomes back Vanishing Point with open arms and hopefully Distant Is The Sun will shoot the band to the next level of popularity outside their native Australia. During the end I close my eyes and get the feeling of spinning round and round to the alluring song. In another moment of very contemporary metal songwriting, we find the song, “From Sound to Silence.” The drum delivery, the riffs, and even the impressive growls by Nils are all why this album is very firmly on the heavy side of melodic rock and metal. The emphasis is on POWER with a emotive vocal performance from Massaro. Thankfully, they tick the boxes consistently apart from a couple of weaker tracks that don't quite reach up to the benchmark they set with the rest of the album. Check out Beth out of Hell by The Murder Of My Sweet on Amazon Music. Their records “Red Hot and Heavy”, “Future World” and 2010s “Pandemonium” ranks up there with some of the best material of the last 30 years in Rock and Metal. Let power and melody unite in a blissful collision once more, as album number five aligns itself with their back catalogue." Heavier, darker, more symphonic and certainly more dramatic, Beth Out Of Hell is a 70 minute concept piece that travels the spectrum of emotions from anger, to love, passion and angst.This isn’t an easy album to absorb. However, the most fun of the song is probably found in the staccato full-auto riffse after the choruses. It seems to be a staple of the genre since “Nemo,” or perhaps even earlier. “Wasted” closes the record and does an excellent job of blending Morten Sandager’s keyboard playing into the songwriting. From the Henry VIII-themed A Man For All Seasons to Welcome To The Freakshow’s fetishism and the vampiric_La Luna Dra-Cu-La_, this album stimulates the ol’ grey matter as well as entertaining, while refusing to be bogged down by bookish stuffiness." “Symphony Of Sin”, in comparison to “Trinity”, consists of a fairly harmonic vibe, especially demonstrated on the choral vocals that were amazingly produced, which garnered the listening experience a fine edge of smoothness. But in the meantime, we have another masterpiece to enjoy, in the form of ‘Curse Of Autumn’ – dark and properly heavy melodic metal rarely sounds this passionate or brilliant." "Spanish metal band Lords Of Black has been on a consistent path since their inception in 2014. If you aren’t familiar of his work, then this album will… Then there’s the stunning artwork, once again handled by Kristian Wåhlin, the icing on the cake.The core of the band remains unchanged, with Dreyer and Michael joined by bassist Anthony Crawford. 2015 Preview SONG TIME Hell on Earth. This isn’t an easy album to absorb. See all 7 formats and editions Hide other formats and editions. Fallin' is a positively heavy tune with fat riffs and a thumping bass line. The Swedish guitarist's original band was Last Tribe. Let's hope that they have another thirteen albums left in them to compose because they have found their creative groove. And, as good as Steve Bolognese was on ‘A Prelude…’, Minnemann makes his presence felt throughout this record with his combination of power, precision, and panache.Indeed, it is hard to argue against the suggestion that all members of Witherfall deliver their ‘A’ game on ‘Curse Of Autumn’, in many cases even pushing their abilities even further than before in the process. Sent from and sold by Amazon. Stream and download in Hi-Res on Qobuz.com So a pattern has been established. The Murder Of My Sweet. Other notables are the appealing riff in “Earth Going Down” (which is a tad swallowed by the keyboards as the song progresses), the Strato-feel of “Black Night of Magic,” the speedier “Return to Avalon” and the never dull 11 minute title track (especially 6:13 to 7:15) and vocal duet of Altzi and Grapow. He and engineer/mixer Jim Morris, as well as Tom Morris for mastering duties, who both deserve credit. //]]>, Sorry, we have to make sure you're a human before we can show you this page. The otherwise-relentless riffage takes small breaks for the verses, before launching into choruses which shift into an uplifting major chorus, before slamming us back into minor chugga-chugga in a darker key. - Dangerdog.com, "Magnus Karlsson has been the mastermind of several high-end projects for the past 15 years or so. With such a rich history and great creative prowess, his solo act was just a matter of time and came to life in 2011; ‘We Are the Night’ is the third full length by Magnus’ Free Fall and takes his melodic, almost AOR heavy metal style to a commonplace for him, albeit not short of killer moments.Continuing the agenda of bringing stars (and other more anonymous names) to perform the vocal duties, Karlsson once again gathered a respectable lineup. Echoes Of The Aftermath by The Murder Of My Sweet Audio CD £8.96. A furious drum flourish introduces an equally furious thrash-like opening riff, as Witherfall come out of the blocks all guns blazing. A bright piano melody signals the beginning of Handful of Hope. It takes time and concentration to unravel all of the music within. ‘In Passing’ is the first single from the album, flowing keyboard / piano together with beautiful vocals and strong lyrics with a hint of humour “that bad, bad lake’s okay; it washed my hair”. The largely present elements, production and … While the songs of this album don’t suffer from homogenized “sameness,” at least Redemption is something truly off the beaten path, so well done on that. Set for an August 21st, 2015 release, the album features thirteen dark, heavy, symphonic,… Their third album, 2015’s ‘Beth Out of Hell’ is a ridiculously grand affair straddling a fairly typical symphonic metal sound with huge elements pulled from musical theatre. Grapow proves again what amazing solos he can play.The album’s first music video was for “Keep Your Dream Alive” – a mid-paced winner expertly chosen, as it’s the song where Altzi shines brightest, showing the breadth of his range – and for many moments I said “Jorn who?” The finest track on the album is “Betrayal,” which will prove to be one of the best of the year when all is said and done, if not for its Middle Eastern charm that falls into the heaviest riff on the album drawn out like slamming shudders by Axel Mackenrott’s keyboards. Kaako and Massaro’s vocals compliment each other extremely well and create an amazing metal duet.The keyboard prominence on Denied Deliverance is pronounced in the mix but never overshadows the heaviness of the track, it just adds to the overall melody of the song. Murder Of My Sweet – Beth Out Of Hell Frontiers Records (2015) Reviewer: Aaron Chatfield Murder Of My Sweet is the brainchild of multi-instrumentalist and near musical genius, Daniel Flores. Again, the melodies dominate and paint the perfect landscape. Why? Their catalog is incredibly consistent and jaw dropping. MURDER OF MY SWEET - Beth Out Of Hell | Amazon.com.au | Music. Once again Massaro gets his chance to shine with an impressive vocal performance filled with passion and emotion. Hell On Earth The Awakening World In Ashes Always The Fugitive Bitter Love Still Additionally, Mijic’s exquisite voice pattern, like a mixture of Jon Lynn Turner, Ian Gillian and Tony Martin seems to fit well with rockier songs and therefore the songwriting the musical direction was accordingly. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. The brilliant symphonic melodies and heavy guitar compliment each other perfectly. 1:27 PREVIEW The Awakening. The album is almost a rock opera, with passages of music crossing into other songs and some lengthy tunes really going over the top. This is followed by the title track itself, a grand affair fueled by what can only be described as baroque organ instrumentation, where the guitars are more like a duel between Beethoven and the Phantom of the Opera. In the years since metal has returned to glory since exile (and if metal can survive grunge, we can survive any virus), some acts have eschewed or otherwise subdued guitar leads, and in some cases the interplay of melody is already so impressive that the guitar leads are not especially necessary. The keyboards incorporate a subtle arpeggio sequence that backs Atkins as he sings a melody that is infectious. If the intent of the methodology is to wake people up and say, “hey, dummy, your favorite catchy song is about to start,” then mission accomplished because “Heartless Madness” is indeed a catchy and well-written piece. //
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